Mix Engineer
I'm a two time Grammy-nominated mix engineer residing in Stockholm, Sweden. I have decades of experience working alongside renowned artists and bands.
Please scroll down for some samples of my work. From pop anthems to film scores - I specialise in crafting polished, professional mixes that connect the listener to your music.
If you like what you hear or have a project in mind, feel free to reach out!
Featured Discography
Listening to a piece of music should transport you into the world of that song.
That’s what I strive for with every mix - to experience a journey with the artist.
Mixing, to me, is more than just technical work; it's a collaborative part of the production process. I thrive on feedback and believe in working closely with artists to achieve their vision for the song.
If you’re interested in working with me - please shoot me an email or hire me through SoundBetter.
I've had the privilege of collaborating with extraordinary artists, shaping their music through mixing and production. My work has garnered recognition, including two articles by Paul Tingen for Sound on Sound.
One highlights my contributions to Björk's record “Vulnicura”, the other with Guy Sigsworth on Alanis Morissette's album 'Havoc and Bright Lights'.
Selected Discography
2024 - Samuel Gajicki - Miracle
2023 - Anohni - My Back Was A Bridge for You To Cross - Atmos Mixing
2023 - Martin Jasper - Papercut EP - Mixed and Executive Produced
2023 - Glasser - Crux - Stereo and Atmos Mixing
2023 - Solomon - It’s All Downhill From Here - Production and Mix
2022 - Samuel Gajicki - Easier
2022 - Martin Jasper - Broken - Production and Mix
2022 - Glasser - New Scars
2021 - A Blaze Of Feather - Strange Beautiful EP
2021 - Kate Havnevik - Starlight Fires
2021 - Smerz - Believer
2021 - Matt Cardle - We're The Butterflies
2021 - Matt Cardle - Purple Crayon
2020 - OWMI - Where You Wanna Be (Session)
2020 - A Blaze of Feather - Labyrinth
2019 - Jenny Hval - The Practice of Love - Mixing all tracks except 4 & 8
2019 - Eden xo - The Question EP - Mixed 3 tracks: So Lucky, Have It All and Heaven is a Place with You.
2019 - Sarah Darling - Wonderland - Mixed 4 tracks: Blue Sky, Call Me, A Boy Like You and Shine.
2018 - Ben Howard - Noonday Dream
2018 - Matt Cardle - Time To Be Alive
2017 - Alison Moyet - Reassuring Pinches
2018 - Kate Havnevik - The River
2017 - Anohni - Paradise EP
2016 - Esperanza Spalding - Emily's D+Evolution - Mixing "Unconditional Love"
2016 - Björk - Vulnicura Live
2015 - Manu Delago - Why Don't You Feat. Joss Stone - Production and Mixing
2015 - Björk - Vulnicura Strings
2015 - Björk - Vulnicura
2014 - Cass Lowe - Birthmark
2015 - Kate Havnevik - Signals
2013 - Alison Moyet - The Minutes
2012 - Alanis Morissette - Havoc And Bright Lights
2012 - Richard Walters - Blossom
2011 - Lenka - Shock Me Into Love
2010 - SingerSen - The World in my Eyes
Dolby Atmos
Spatial Audio
Dolby Atmos music gives us the ability to create an immersive musical experience way beyond the realms of standard surround sound.
I’ve had a long fascination with surround formats even working on one of the first “immersive” videos on YouTube - Björks song Stonemilker.
To mix in in Atmos, I take the conformed multitrack audio files (or stems) and spread the stems around in a three-dimensional space for a truly immersive listening experience that retains all of the creative elements and intent of the original mix.
Dolby Atmos is so exciting due to its adoption and ability to play on so many devices.
I can provide files which you can experience the mixes on Apple AirPods or other Dolby compatible device prior to publishing.
I have a fully calibrated room in Stockholm as well as an assortment of Dolby compatible consumer devices to check mixes on and ensure the music translates well.
I recently mixed Anohni’s record “My Back Was a Bridge For You To Cross” in Atmos which has been featured on Dolby’s Instagram and very well received.
TV and Film
I have a lot of experience working as a score mixer - getting music and recordings ready for the dub stage and preparing cues for soundtrack album release.
From my mix room, I can work in 5.1, 7.1 all the way up to Atmos and prepare the perfect Pro Tools session ready to send to the dub.
I’ve recently had a lovely run of projects with Olly Coates including the film Aftersun and the 2024 Sky TV Show “Mary and George”.
Game Audio
I love mixing music for games! Creating captivating soundscapes and setting the tone with music for the player to immerse themselves in is great fun.
My Reaper workflow allows the simple rendering of loopable stems for importing into gaming engines.
Some examples of my work below -